Slowly getting back into “writing-shape”, so to speak.
Things can get tricky doing quality control, figuring out what’s working during the writing/arrangement phase, since listening to things too many times can often rob one’s creativity.
…and creativity’s important when you’re experimenting.
Like any other record, this one’s going to be a process.
But I can say this for now: The current plan is to make a concept record, and it’s going to be dark.
(Last record had a common theme and concept, but it wasn’t much of a concept record compared to the one before that.)
Hi All, it just came to my attention that CDBaby has sold out the physical copies of my “Normalcy Bias” record ( – it’s the one with Pat Mastelotto on drums). They have asked me to send in for restock. I’ve got a couple of things going on right now, but should probably have them available on the site sometime in November. Please feel free to message me if the timing doesn’t work out for you, and I’ll figure something out. My apologies as I just got the notification today (…not exactly the best timing, unfortunately). Thanks a ton for your patience!
Screen capture of video by Anthony Garone (MakeWeirdMusic.com), interviewing Teddy Kumpel.
History and Background
I became a fan of MakeWeirdMusic.com ever since I first watched the site’s video interviews with Mike Keneally and Steve Vai. The interviews revolve around the musician’s upbringing, their philosophies in their work – be it compositions or performance, and various interesting things they have done in their careers, (that you may or may not know about,) to get to where they are. If you ever watched the video interviews, you can really tell the amount of dedication and effort that go into each one of them. The interviews are always conducted in a way that the guest is always relaxed and feels comfortable sharing what “makes them tick” in the most honest and detailed manner. The video, lighting, multiple-camera editing/ captures, transcriptions, preparations, logistics and website management that all go into each interview really show the love that site-owner Anthony Garone puts in. (Anthony also interned at Steve Vai’s studio growing up and is quite an awesome composer in his own right.)
From Anthony’s website:
What is “Weird Music?”
“Weird music” doesn’t have to be unenjoyable, but it should be interesting! Radiohead is very popular and very weird. Dirty Loops does virtuosic covers of Justin Bieber and Britney Spears music. Avishai Cohen makes music that even my wife can enjoy. Being “weird” should indicate an effort to go against the grain a little bit and express your individuality.
How I got involved
I reached out to Anthony couple of weeks ago asking if there’s anything I could do to help out. I got to help transcribe the Teddy Kumpel interview, which you can check out here. If you prefer to watch the video, you can find that here too. It was a really fun interview to listen to and there were some really cool quotes. Teddy’s response to the final question where Anthony asks about being “weird” and finding one’s own voice was fantastic.
Hopefully I’ll get to continue to help the site in the future. Anthony’s always looking for more help (be it labor, finance, sponsor support, publicity, or anything else you can think of). So if you enjoy the content as much as I do, reach out to him. But most importantly, please help spread the word about the website!!
The drum parts that Tobias Ralph played were tasteful and excellent, and Ronan Chris Murphy was able to help me with the final finishing polish in mastering to make things sound ‘like a record’. As a writer, I feel that I have progressed (and I am gradually becoming a little bit more efficient at it).
In case you’ve missed it, here is a recent interview I did with SomethingElse! Reviews where I talked a bit about the album. This album, (for the most part…), was a joy to make, although the work needed was extremely tedious, intense and involved. If you get a chance, please check it out. Currently, there are preview samples up on CDBaby, as well as a teaser on youtube. However, the record should be out on various digital outlets (, such as iTunes, Spotify, Amazon, etc.) in upcoming weeks.
I am also planning on having a more detailed write up on the recording process, so please look out for that.