Mix Magazine December 2017 Article on Ronan

Oh boy…

Mix Magazine has an article in the December 2017 issue on Ronan Chris Murphy, about his work on the new Gwar album. There were two artists they decided to pick to be used as his credits. Opening sentence:

Heeee Heeee!!!!!!!!!!!

(…but enough about me. The guitar sounds are super cool on the Gwar record that I think every guitar player of every rock genre should check out. The article describes getting those guitar sounds.)

November 2017 Update

Hello Folks,

My record was released last week on November 8th.

Here’s a little promotional teaser: https://www.youtube.com/watch?v=ozpVgYUg8_Y and here’s a full length stream of the song “Zjeto’s Ascension”: https://www.youtube.com/watch?v=N21tpMBNcGw

I’ll probably be putting together a “sampler” (preview of all songs) in a video format next week or so on youtube as well.

So far I have two nice reviews for this project. The first is by Preston Frazier from Something Else Reviews:
http://somethingelsereviews.com/2017/11/05/lucas-lee-acceptances-of-gravitational-collapsing-manifestations/

The second one is by Angel Romero from Progressive Rock Central: http://progressiverockcentral.com/en/2017/11/13/the-progressive-music-adventures-of-lucas-lee/

Hopefully there will be more reviews coming in and I might also have an interview coming up. I’ll try to post them on the reviews’ section of my website (http://www.lucasleemusic.com/reviews.php) as they arrive.

At this time I haven’t decided whether or not to have the album on streaming platforms such as Spotify/Pandora, but CDs are available at CDBaby: https://store.cdbaby.com/cd/lucaslee14 and downloads are available at iTunes, Google Play Music and Amazon: https://www.amazon.com/gp/product/B076CLJ73S . I’ll need to check and see why CDs aren’t available at Amazon yet, but the plan is to have them available there too.

For those in the US, hope you have a wonderful Thanksgiving!

– Lucas

New Album Announcement: Acceptances of Gravitational Collapsing Manifestations

Album cover art: “Acceptances of Gravitational Collapsing Manifestations”

Hello folks,

It’s finally complete. I’m so happy to announce my new album: “Acceptances of Gravitational Collapsing Manifestations”. Marco Minnemann from The Aristocrats played drums on this one and I’m still smiling ear to ear just thinking about it and even more so while writing this sentence…

The album is an instrumental rock fusion/ progressive rock/hard-rock/metal album. You’d find dense harmony and experimental sections throughout. It’s fun from an energy-standpoint but the mood of the songs is dark (… \m/ for dark \m/…). It’s a cohesive record in the overall feel and flow. I’m just really happy with the way it turned out. I also don’t feel I’ve made any sacrifices artistically in what I wanted to say, which sometimes can be a little tricky to do, and something I have struggled with at times in the past. I feel that this record is a very honest record, and there were things I felt really strongly about that I felt needed to be said and have said.

Here’s an official press-release of the record, for the kind people who might be inclined to read more on this:
http://www.lucasleemusic.com/press_releases/press_release_manifestations_onesheet.pdf

The pre-order release date is set to be October 19th (about 2 weeks from now), and the official release/street date is November 8th.

Why November 8th?

Because November 8th.

I could have made it November 5th, since there’s some significance with The Fifth of November. It would have been just as fitting, but I’m going with the 8th.

I’ll likely be posting a teaser and write about this in upcoming days.

Thanks for reading and supporting my music!

– Lucas

Record #4 Update

Enjoying the view outside Veneto West (Studio), just before the start of my mastering session with Ronan Chris Murphy in Kern County, CA.

Just thought I’d post a quick update on my new record (#4).

The record is a concept record, with 13 tracks, going for just under 52 minutes.

As with my other records in the past, I played everything outside of drums. But one of the greatest highlight for me is that I have Marco Minnemann playing the drums on all the songs, (including a small section of what sounds like an intentionally subliminal de-tuned guitar at the end of one of them.)

With so much energy, creativity, power, positivity, passion, while having utmost professionalism… Seriously – what a joy to work with!

Regarding the music, one feedback I’ve been getting on this record is that it has a definite album-feel to it in terms of the flow and cohesiveness, especially compared to the previous one which was more eclectic. I think part of the reason is that this one’s deliberately made to be a concept album, but I also had a very focused frame of mind during the composition phases. I also feel that each song had certain elements that were unique to the song, which is something I’m very happy with. The experimental sections are fun and still make me smile whenever I listen back to them, even after having already listening through hundreds of times.

Ronan Chris Murphy helped me master the record, giving it the final polish.

I feel really, really good and proud of this one. Right now, CDs have been ordered and I’m waiting for them to arrive. Assuming no unforeseen issues with quality control, I should be able to make the official announcement in about 2 weeks, for a pre-release date in mid October and street date at the end of October.

Final stretches now.

Marco Minnemann on Drums in my Upcoming Record

Yes indeed! Marco Minnemann has been most very kind to play drums on my upcoming record. I’m super thankful for Bryan Beller helping me get in touch with him. I couldn’t emphasize how excellent Marco’s playing has been, how tasteful and instinctual he was, how kind he has been, how great he engineered the tracks, how efficient he was and how easy he was to work with. I’m such a big fan of The Aristocrats, the records he has been part of for other artists and songs that he has written, so I was initially in absolute shock with disbelieve for a while after he agreed. It took me a full week to calm myself down. I’m not exaggerating.

OK, at this point, I’ve now received all drum tracks back for all the tunes. Prep work for mixing has started and actual mixing should probably begin some time next week/weekend.

Musically, the record is again an instrumental record with elements of Avant-garde, hard rock/metal with elements of experimental Jazz/ modern classical thrown in. I’m very, very excited about this record and the release should probably be some time in Fall 2017. An overly great deal of love and work has been put into this album and I’m really looking forward to sharing this with all of you out there.

 

New record update: Nov 2016

Like any other record, this one’s going to be a process.
But I can say this for now: The current plan is to make a concept record, and it’s going to be dark.
(Last record had a common theme and concept, but it wasn’t much of a concept record compared to the one before that.)

It’s also going to be dense harmonically.

Ronan’s use of the Flux Bender EQ on my Record “Business Brunch Specials: Uranium Omelet (with GMO-Free Brown Sauce)”

Mastering engineer Ronan Chris Murphy from Veneto West Mastering​ gave me a mention during this episode of Ronan’s Recording Show​, where he briefly talked about how he used the Flux Bender EQ when mastering my record. It was a very brief mention, but **HUGE** fan-boy moment for me!!!!! Not only because I’m a crazy fan of his show, but because he’s also my mentor and teacher – not to mention that he’s also worked with King Crimson/ProjeKCTs, Mike Keneally, G3 (Satriani, Vai, Fripp), Bozzio-Levin-Stevens…. (Yeah, I know). Start at around 21:00 for the mention, but audio geeks like myself would want to check out the full episode because the EQ unit sounded gorgeous and spectacular, and really did add quite a bit of that awesome analog mojo to the tracks when I experienced it in person.

 

New Album Release – “Business Brunch Specials: Uranium Omelet (with GMO-Free Brown Sauce)”

This past week was the release of my third solo/studio album, “Business Brunch Specials: Uranium Omelet (with GMO-Free Brown-Sauce)”.
The CDs have arrived and I’m quite happy how everything turned out. The album cover art, designed by the very talented Shawna Armstrong (O Totally Studio) looks fantastic – even more so in physical form.

The drum parts that Tobias Ralph played were tasteful and excellent, and Ronan Chris Murphy was able to help me with the final finishing polish in mastering to make things sound ‘like a record’. As a writer, I feel that I have progressed (and I am gradually becoming a little bit more efficient at it).

In case you’ve missed it, here is a recent interview I did with SomethingElse! Reviews where I talked a bit about the album. This album, (for the most part…), was a joy to make, although the work needed was extremely tedious, intense and involved. If you get a chance, please check it out. Currently, there are preview samples up on CDBaby, as well as a teaser on youtube. However, the record should be out on various digital outlets (, such as iTunes, Spotify, Amazon, etc.) in upcoming weeks.

I am also planning on having a more detailed write up on the recording process, so please look out for that.

Teaser of new album – “Business Brunch Specials: Uranium Omelet (with GMO-Free Brown Sauce)”

He’s a teaser of my upcoming album, “Business Brunch Specials: Uranium Omelet (with GMO-Free Brown Sauce)”. I shot the main video using my phone back in February with the intent of having at least some sort of visual footage of me making this album. When I finally revisited this today to add in the texts, I couldn’t help myself from laughing because it’s SO BIZARRE.

Hope you like the gloves! 😀